Most directors know that if they can concentrate on pulling great performances from their actors the battle’s half won, but it’s not quite that simple when your leads are a pair of hands. Director Tom Willems joins us this week to discuss how his short Left Right demanded he craft a new approach to filming and why faces were the last thing he needed in frame.
Left Right (2011)
What if your left arm gets jealous of your right arm? The left arm of Boris is jealous of the right one. After 35 years of neglect, it decides to take matters into his own hand(s).
What’s overacting, what’s under acting, what’s good acting for a hand?