Liliya Syvytska unpacks how her team achieved the astonishing black and white cinematography and striking symbolic choreography of her movement-based short.
Paul Chambers discusses the 16mm camerawork used in his hard hitting experimental drama capturing a young man's spiralling loss of control to addiction.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.
Animator Tsz-wing Ho joins us to discuss her recognisable approach to filmmaking and her collaboration with Max Cooper for 'Pulse at the Centre of Being'.
Debby Friday & Nathan De Paz Habib break down the experimental approach they took to fully capture the surreal nature of the whirlwind that is adolescence.
Christian Avilés discusses his use of sun-dappled 16mm images and the mixture of documentary and magic realism to depict the tragic Balconing phenomenon.
Sergii Shevtsov breaks down the considered staging of the surreal compositions for his self-reflective visual poem about life, career and relationships.
Tom Salvaggio reflects on how the rise of conspiratorial thinking inspired his uncanny Twilight Zone-esque short about a seemingly unexplainable mystery.
Polar Rader shares her careful colour correction process and high-definition lenses used to depict the journey of love amongst bitterly cold wintry climes.