A few weeks ago a review of Ruhr by James Benning was submitted as part of the coverage of the 54th London Film Festival, where I proposed Benning’s work as
Set only a few weeks into the wake of the fall of Saddam Hussein’s regime, Son of Babylon, winner of the Amnesty Film Award and Peace Prize at the 60th
Although it would be a stretch to denounce To Walk Beside You as a mistranslation of the original Japanese title, a direct translation would offer slightly
Cherry Kino, who programmed Mare’s Tail, is the experimental film strand of the Leeds International Film Festival, though its founder Martha Jurksaitis