Tom Berkeley & Ross White discuss subverting character expectations in their psychological pitch black comedy Western about sisters hunting gold in Wales.
Nick Rutter & Ben Richardson explain how they established the dark, witty tone of their farcical short about opposing sexual appetites and dietary ethics.
Tom Stuart details the awkward practicalities of shooting in the vintage VW van which sits at the heart of his touching surreal personification of grief.
Phoebe Arnstein explains the mix of narrative and documentary techniques she used to capture the authentic performances of her visceral motherhood short.
Thomas May Bailey speaks to DN about harnessing the metaphorical potential of a VP stage as the setting for his debut short exploring ambition and desire.
Cristina Sánchez Salamanca reveals how she crafted the quiet, everyday gestures in her observant familial drama to build to a concentrated breaking point.
Tamsin Topolski details how she represented her protagonist's mental and physical demise through all aspects of her darkly comic satire's colour palette.
Yanghuixiao Gao describes using natural light to ground her drama short exploration of the complexities of mother-daughter relationships in authentic realism.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
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