Emile Rafael’sAppolina for Ocean Versus Daughter probably won’t be the first light painting promo you’ve seen, but it makes such good use of the technique you may well be inspired to bust out the torches yourself.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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