Jamie Jessett deftly addresses the problem of creating a documentary in which the subject wishes to remain anonymous in his day in the life of a cocaine dealer, Shooting Gallery short A Man Who Delivers.
MarBelle has a strange compulsion to watch as many films as he can get his hands on and find jobs that give him a legitimate excuse to drill filmmakers about their work. Directors Notes is the multi-decade incarnation of this disorder and remains so much cheaper than film school.
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