24th January, 2020
We take absolutely no responsibility for the bizarre nightmares you’ll have after watching Meat Dept.’s freakily fleshy 'Very Noise' music video.
23rd January, 2020
Mark Jenkin returns to DN to discuss 'Bait' his 16mm B&W, hand-processed and post-synced breakthrough feature about a struggling Cornish fisherman.
22nd January, 2020
DN speaks with Joe Bird about creating the visuals and score for 'Where To Build In Stone', a slow cinematic celebration of Kingston Upon Hull.
21st January, 2020
Luuk Walschot asks why we can't put our efforts into finding what unites rather than divides us in his challenging identity short 'Union Jake'.
20th January, 2020
Ben Dean explains how he used a mixture of formats to capture the essence of larger than life-sized artist Kitt Bennett in kinetic profile doc 'KITT'.
17th January, 2020
Dominic Hicks delivers a deliciously dark triptych of twisted tales about alienation and obsession based on real amazon.com reviews in 'Amazonia'.
Live Action, Premiere
16th January, 2020
A local cop finds himself embroiled in a dangerous game of cat & mouse with a devoutly religious family in Robert Linsley's psychological horror 'Ritual'.
15th January, 2020
Joseph Roberts turns political frustration in action as he explores a family on the fringes of society in his short drama 'Bellmouth'.
14th January, 2020
Jane Saunders discusses ScreenSkills' screen-based creative industries mentoring programme and the need for a diverse workforce in the UK film industry.
13th January, 2020
Paul Nevison takes DN through the creation of his duo of shorts showing the dark reality of modern-day slavery for charity A21's Can You See Me? campaign.
Animation, Art & Fashion, Documentary, Live Action
12th January, 2020
DN chats with Vimeo's Best Staff Pick directors of 2019 about the differing artistic approaches behind their award-winning work.
Art & Fashion
10th January, 2020
Cynical Smile talks to us about combining movement and sound design for his discordant meditation on the mental turmoil of life in the age of distraction.
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