Olivier Lescot discusses deploying flowing movements, an impressive one-shot, a fine sense of myth and a propulsive tone for his kinetic car chase short.
Koya Kamura reflects on his successful decision to make the leap from a decade in commercials into his narrative debut, a drama set in post-disaster Japan.
Christopher Hanany talks to DN about the benefits he found in trusting his performers and embracing their spontaneity for spiritual dance short 'The Way'.
Zoé Wittock provides an insight into the production practicalities of choreographing the many moving parts of her objectophilia romance feature 'Jumbo'.
Nicolas Lichtle talks to DN about adopting experimental techniques & surreal imagery to illustrate how catastrophic 2020 has been thus far in 'à la fin…'
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