Gregory Shell explains why he was determined to work with non-actors for his film about a young man struggling with life after returning from military service.
Krit Komkrichwarakool walks us through how he blended magical realism with grounded storytelling to explore the complex dynamics of modern relationships.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
Alexandra Qin talks to DN about her personal experience with sex and love, drug and alcohol addiction, and the vital role it played in her debut short film.
Marcus Anthony Thomas details how leaping into the unknown forced him to expand his directorial skills during the creation of his singular B&W sci-fi short.
Jordan Chandler talks about channelling her righteous indignation into her blistering thriller about a mother on a Sisyphean quest to save her missing child.
Freddie Bonfanti breaks down the intersection of masculinity and nature in crisis providing the backdrop to his unsettling, family-centred horror short.
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