Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Jon Ryan Sugimoto defines the visual motifs he deployed to capture the passion crushing effect adulthood and responsibility can have on youthful dreams.
Harry Sherriff returns to reveal how his creative development at the NFTS informed his latest nightmarish comedy about a man pitted against his doppelgänger.
Edoardo Ulivelli discusses the catharsis of putting his own insecurities into his short film following a young man unable to decipher romantic advances.
Tomson Tee details the narrative division of warm and cold tones and wide frames within his dark comedy pointing a mocking finger at the super wealthy.
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