Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
Alexandra Qin talks to DN about her personal experience with sex and love, drug and alcohol addiction, and the vital role it played in her debut short film.
Marcus Anthony Thomas details how leaping into the unknown forced him to expand his directorial skills during the creation of his singular B&W sci-fi short.
Jordan Chandler talks about channelling her righteous indignation into her blistering thriller about a mother on a Sisyphean quest to save her missing child.
Freddie Bonfanti breaks down the intersection of masculinity and nature in crisis providing the backdrop to his unsettling, family-centred horror short.
Marco Pattarozzi speaks about the significance of home in his dark coming-of-age drama where the last days of youthful summer are marked by tragedy and loss.
Naomi Christie speaks about the micro-aggressions and lived experiences which informed the seedy reality of her darkly comic tale of race objectification.
Anna Guseva outlines why 35mm film was the appropriate shooting format for her time-spanning dance short/music video traversing Dom Radio's rich history.
Samantha Soule opens up about the necessity of harnessing nature as an essential third character in her ethereal story of a woman trying to find her way.
Chirs Parton talks about bouncing between his writer and director roles when tweaking the script on the set of his comedy about a couple's cohabitating woes.
Ali Sohail Jaura explains how centring his Karachi massacre drama on its female protagonist shifted the trajectory of his heartbreaking short for the better.
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