Why fiction, not documentary? Georgia Parris & Natalie Lauren on making us feel how school fines punish, isolate and push struggling families to collapse.
Kendall Goldberg's social anxiety comedy magnifies the fears of every introvert who's ever accepted an invitation to a party with people they don't know.
Shot in rural Bulgaria on black and white SD with a real tank, Sami Abusamra’s satirical adaptation asks what happens when power lands in the wrong lap.
Émile Lavoie twists horror expectations to bloody ends in his darkly humorous short film that shows what happens when you dare judge a book by its cover.
Émile V. Schlesser draws on personal experience for his absorbing drama about abuse and power dynamics between directors and actors in the theatre world.
Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
With only 4 days, expired 35mm stock and an apple harvest dictated schedule, Robert Piel learned to trust instinct over coverage for his coming of age drama.
Ten years ago, Sam Baron asked loved ones to predict 2026. Now he confronts the messy, unscripted grief for his late mum hidden in the footage all along.
How do you make audiences care about people who do terrible things? Sam Tricomo's dark pilot strips away backstory, letting silence and loneliness do the work.
Daniel Chisholm distils the disorientating, woozy sensation of being smashed into a comic odyssey that lets audiences experience the drunkest night ever.
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