Barnaby Blackburn discusses why he wanted to lead his audience unwillingly through the high tension drama of his tale of sibling rivalry and false bravado.
Robert Higgins & Patrick McGivney reveal how their Paul Mescal & Dafhyd Flynn starring Irish short allowed them to cultivate ideas for their debut feature.
Folu Odimayo deconstructs his use of narration during the choreographic prep of his film telling the tale of a stag whose fate is controlled by three birds.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
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