Tomas Kamphuis breaks down the free-flowing improvisational approach he used to delve into the African art scene through the eyes of four diverse artists.
Sophie Compton & Daisy-May Hudson extol the benefits of the co-created trauma-informed filmmaking model underpinning their LFF award winning documentary.
Cécile Embleton & Alys Tomlinson speak to us about the multi-year journey of their Grierson Award winning doc about a young nun facing deep inner conflict.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
Hervé Demers returns to DN to discuss his new doc short set in Asbestos, a former mining town in Quebec, which explores notions of community and identity.
Elahe Esmaili explains the intimate, family-centric perspective of the Woman, Life, Freedom protest movement that she wanted to capture in her doc short.
Duncan Cowles speaks to us about his new shorts 'Outlets' 'Sighscapes' and 'Desire Lines', and the upcoming premiere of his debut documentary feature film.
Zaya & Maurizio Benazzo discuss how they safeguarded their team and contributors when documenting the struggles of Palestinian life under Israeli occupation.
Martí Arbaizar details the trial and error approach to editing that led to the unified feeling of his doc about disparate lives united by a passion for dance.
Neil Fox talks about shifting perspectives on cinematic depictions of music artists while assessing the role of these undersung films in the creation of myth.
Gianna Mazzeo details the importance of queer oral history when creating her film about a uniting and proud symbol of lesbian self-expression and community.
Nick Bentgen reveals the free-flowing, mixed format, organic shooting process of his doc about a group of free spirited teens in the outer boroughs of NYC.
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