Stefan Hunt talks blending the rambunctious reality of Australian masculinity with the expressive qualities of dance in his boisterous choreographic short.
Harv Frost digs into how she brought the decadent visual world of The Last Dinner Party to life in her intoxicating horror-inflected multi-video short film.
Anna Guseva outlines why 35mm film was the appropriate shooting format for her time-spanning dance short/music video traversing Dom Radio's rich history.
Folu Odimayo deconstructs his use of narration during the choreographic prep of his film telling the tale of a stag whose fate is controlled by three birds.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Stefano Usberghi peels back the curtain on the dynamic camerawork infusing the surreal aesthetic of his subversive Alcoholics Anonymous-set music video.
Andrew De Zen explains why 65mm film was the perfect format to capture the grand yet intimate story of his short about a woman who finally lets herself loose.
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