Michael Rees talks us through prioritising a chaotic tone over script-specific dialogue to great comic effect in his short film about a double-booked Airbnb.
DN speaks to BIFA nominee Joshua Trigg about shooting in Laos with limited film stock & non-professional lead actors for his self-financed 16mm feature debut.
BIFA nominated director Christopher Andrews speaks to us about his use of a shifting visual language to ratchet up the tension in his bold feature debut.
A film for all the misfits who've misplaced their manuals for life, DN sits down with Karan Kandhari to dig into the making of his genre-bending debut feature.
Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Eros V reveals the lo-fi techniques used to bring a possessed puppet to life for his BIFA nominated short about a man-child who desperately need to grow up.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
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