Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Eros V reveals the lo-fi techniques used to bring a possessed puppet to life for his BIFA nominated short about a man-child who desperately need to grow up.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
With his debut feature up for 7 BIFAs James Krishna Floyd discusses the rich complexity of characters who wear masks and the beauty of realism drag on screen.
Kyle Jon Shephard walks DN through the combination of practical and digital VFX behind the titular head in his frantically kinetic stress-fuelled short.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
Alexandra Qin talks to DN about her personal experience with sex and love, drug and alcohol addiction, and the vital role it played in her debut short film.
Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Marcus Anthony Thomas details how leaping into the unknown forced him to expand his directorial skills during the creation of his singular B&W sci-fi short.
Jordan Chandler talks about channelling her righteous indignation into her blistering thriller about a mother on a Sisyphean quest to save her missing child.
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