Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Anna J. Takayama talks shooting in Tokyo and colour as a narrative tool whilst dissecting the creation of her multi-award winning film about an ageing actress.
Paul Chambers discusses the 16mm camerawork used in his hard hitting experimental drama capturing a young man's spiralling loss of control to addiction.
Ned Donohoe delves into the delicate balance of critique and empathy he sought to strike in his short about the shady world of personal development forums.
We speak to Daniel Sinclair about managing the fine line of grounded comedy in his tonal mashup short where a couple reach an unexpected therapy breakthrough.
A deeply personal film years in the making, Vincent René-Lortie details the intimate approach needed to bring the true story of his troubled friend to screen.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
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