Animation, Art & Fashion, Article, Documentary, Film Festival, Live Action, Music
3rd January, 2020
Team DN put our curating skills to good use to picked out our favourite 20 Directors Notes filmmaker conversations from the past 12 months.
Film Festival, Live Action, Podcasts
23rd December, 2019
Lucio Castro joins DN with decade spanning film 'End of the Century' which reunites 2 men for a one night stand whose seeds were sown two decades earlier.
20th December, 2019
Maura Delpero reveals how she built cohesion between the professional, non-professional and child performances needed for her drama debut 'Maternal'.
Animation, Film Festival, Live Action
18th December, 2019
NFTS graduate Sam Gainsborough joins us to discuss how he used about "half a tonne of plasticine" in his inventive grad film 'Facing It'.
Film Festival, Live Action
Marta Gonzales tells DN how she used colour to construct distinct past/present visuals & took on multiple roles for her debut romance Spanish short 'Mai'.
12th December, 2019
David Abramsky details the rigorous preproduction process and memorable audience responses from his one-shot comedy/drama, 'Dad Joke'.
8th December, 2019
Eryk Rocha tells DN how the themes of isolation & economic struggle in his story of a Rio cab driver, 'Burning Night' mirror the current crisis in Brazil.
30th November, 2019
Director Henry Blake reveals the many ways his proof-of-concept short paved the way for the creation of his powerful debut feature 'County Lines'.
26th November, 2019
After a ten year hiatus Filmstock, one of Britain's best independent film festivals made a most welcome return - these are some of our highlights.
16th November, 2019
Svetla Tsotsorkova joins DN to discuss her drama feature 'Sister' the story of a compulsive liar whose fanciful stories threaten to tear her family apart.
6th November, 2019
Phillip Youmans joins DN to discuss the experience of taking on multiple production roles for his Tribeca winning debut feature 'Burning Cane'.
2nd November, 2019
Hari Sama talks to DN about heading back to the post-punk days of sexual liberty, outsider art and drugs which helped shape him in 'This Is Not Berlin'.
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