Director Jo Ingabire Moys talks to DN about crafting terrifying moments of silence in her tension-filled BAFTA nominated short about the Rwandan genocide.
Live Action, Premiere
Theo Gee and Ian Bousher detail how they echoed their protagonist's inner turmoil through the detailed production design of their claustrophobic set.
Kurt Andrew Schneider explains why he chose to shoot on film for his contemporary story examining our problematic engagement with phones and social media.
Colby Day explains how he practically translated his intimate play, about a couple experiencing new love, into a free-flowing dance short.
We spoke to Paul Holbrook about stripping down the dialogue in his nuanced short where an unsettling interest in the past grows tensions.
Co-Directors Frank Mosley & Hugo De Sousa break down the comedic implications of the still camerawork in their uncomfortable conversation friendship short.
Director Andrey Paounov & Screenwriter Alex Barrett expound on how they created the absurd, maddening atmosphere of their snowbound folk horror feature.
Film Festival, Live Action
Nina Ognjanović explains creating her Serbian mystery-western through widescreen frames, rigorous location scouting and a less-is-more approach.
The Newman Bros discuss tapering comedy with emotional stakes for their short about an art exhibition which throws an adulterer's life into chaos.
BAFTA winning OSCAR nominated co-writer/directors Tom Berkeley & Ross White talk about the streamlined working practices behind their offbeat comedy short.
Sarah Lasry discusses constructing the ominous atmosphere of her supernatural horror short where a young girl's warts express a family’s disfunction.
Sarah Grant talks to DN about her empowering body positive, inclusive short which challenges outdated notions of size being a barrier to self-expression.
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