Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
We chat to Sam Baron about his love of subversion in comedy and digging into the paranoid fragility of the male ego in the conclusion of his Amit Shah trilogy.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.