Dustin Waldman speaks about vividly evoking the paranoia of the post 9/11 era in showing a post-production house removing the Twin Towers from The Sopranos.
Hannah Renton breaks down the challenge of building cohesion between the individual yet joined parts of her triptych film depicting the complexities of love.
Daria Geller talks to us about counting the tragic cost of Russian complacency through warm 16mm, striking group scenes and a smart Leonard Cohen cover.
Alessandro & Flavio Vivarini discuss creating a haunting ode to Italian gangsters with heavy contrasts, religious images and floating widescreen frames.
Julia Ponce Díaz shares how personal & observed experiences inspired her fish-out-of-water drama about a self-conscious girl's desperate need for belonging.
Karl Poyzer explains how he embraced the freedom offered by animation and free application Blender for his cityscape-based science fiction music video.
Dima Barch walks us through his use of long takes, dynamic lighting set-ups and an ambiguous mode to create an ambitious and menacing queer horror film.
Isher Sahota explains how he struck the right tonal balance of comedy and skulduggery for his darkly comic period drama about self-interested backstabbing.
Loïc Phil explains why he wanted to embrace the constraints of shooting on 16mm in order to fully convey the fervor of a life changing mayfly love affair.