Live Action, Premiere
2nd October, 2019
Mikkel Blaabjerg Poulsen tells DN how he collaborated with Mino Denmark to raise awareness of Denmark's ethnic migrants in period drama 'Part of Society'.
30th September, 2019
A friendship between two musicians is tested when career ambitions come to fruition in Graham Hill's short male relationship drama 'The Dry Line'.
27th September, 2019
Tom Streller discusses the struggles of confidence and production which almost prevented his meditative debut short 'Rosa' from seeing the light of day.
26th September, 2019
We speak to Dee Meaden about the dramatic importance of the small moment coupled with an unhurried editing style in short 'Some Things Mean Something'.
24th September, 2019
Michael Medoway reveals how he juxtaposed the challenges of the past and the present to reveal the tenacity of Mexican boxing champion 'El Gallo'.
20th September, 2019
Director Merlin Camozzi speaks to DN about manifesting a high-concept fantasy film on a micro-budget in cult horror short 'This Must Be The Place'.
18th September, 2019
A man undergoing a conformity test decides to give the researchers exactly what they want in Theo Gee and Ian Bousher's pitch dark comedy 'Aping'.
17th September, 2019
Vincent René-Lortie and Diamondstein explain the intentions which underpinned the emotional resonance of their new music video 'Antique Stores'.
16th September, 2019
Christian Einshøj tells DN how he extensively edited his short documentary 'Haunted' to most truthfully tell the story of his family's greatest loss.
Art & Fashion, Premiere
13th September, 2019
Emily Dynes tells DN how she worked with her actors and choreographer to develop the intimate movements required for her intense dance short 'Slowly'.
10th September, 2019
Andy Fischer steps back to the old west for silent comedy short 'LUCKY' a film which sees a poverty-stricken family get hit hard by the futility of being.
9th September, 2019
Artur Zaremba explains why he set out to question how we perceive ourselves and the concept of beauty in the era of mass filtered reality in 'SKIN'.
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