Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Patey breaks down the creative benefits of her instinctual, holistic approach to crew hierarchy on her inventive, desert-set Okay Kaya music video.
Freddie Leyden talks us through the surreal inspirations and 70s documentary lenses that fed the eerie atmosphere of his beguiling Bat For Lashes music video.
Avery Stedman breaks down his collaborative process with Night Lovell and the creative back-and-forth they had making their stylised scene hopping video.
Parker Seaman walks DN through the construction of the mind melting scenes in his deliriously trippy music video journey through an LA Chinese restaurant.
Animator Tsz-wing Ho joins us to discuss her recognisable approach to filmmaking and her collaboration with Max Cooper for 'Pulse at the Centre of Being'.
Nikita Kibirev breaks down the process behind the distinct colour-rich visual aesthetic of his promo exploring jealousy, obsession and toxic masculinity.
Kyryl Volovych reveals the inspiration he drew from Stalker and The Seventh Seal when creating his ethereal, science fiction-inflected ĠENN music video.
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