Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
DN talks to Sophie King about blending humour and social commentary in her subversive gender disparity comedy short about a world where men can get pregnant.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.
Stefano Usberghi peels back the curtain on the dynamic camerawork infusing the surreal aesthetic of his subversive Alcoholics Anonymous-set music video.
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