Jo Prichard talks to DN about capturing an emotional portrait of a unique community displaced due to redevelopment in her BAFTA nominated directorial debut.
Talia Smith recounts how her personal history informed the diasporic tension she exorcised through her Student Academy Award-winning NYU drama 'Umama'.
Co-Directors Ng Choon Ping & Sam H. Freeman discuss the importance of rehearsal when crafting the visceral tension of their jaw-dropping thriller 'Femme'.
Ciaran Lyons walks us through the challenges of shooting in Scotland's remote highlands for his dark folklorish tale of an isolated driver 'The Motorist'.
Jesse Lewis-Reece's 'Eyelash' explores the pitfalls of obsession through the intimate portrayal of a couple's budding relationship and it's eventual ruin.
Myriam Raja discusses her time at the NFTS, doubling rural Spain for 1800s India & utilising the power of silence in her coming of age grad short 'Azaar'.