Ross Stringer breaks down the deceptively minimal monochrome colour palette he used to tell the thematically rich story of his NFTS graduate short.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Samantha Moore breaks down the slyly subversive framework of her tactile and therapeutic animated documentary expressing the restorative power of knitting.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Ella Glendining speaks about bringing together the patchwork elements of her empowering documentary about her search for someone else with the same disability.
Savanah Leaf details how shooting 16mm benefited her gritty, surreal debut feature which shines a unique authorial lens on motherhood, race and class.
Abdou Cissé reveals his intentions of making a superhero film with his mum as the hero in his kinetic exploration of the misconceptions of African parenting.
Filmmakers Karni&Saul return to DN to discuss seamless blending live-action and CGI for their Cannes 'in Competition' love poem to nature short film.
Live Action, Premiere
Joe Weiland explains how the wide, vibrant frames of his seaside comedy drama are emblematic of the film's themes of connection and catharsis.
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