Lado Kvataniya walks us through the thematic importance and physical practicalities of the central moveable wall in his anti-conflict focused music video.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
Stefano Usberghi peels back the curtain on the dynamic camerawork infusing the surreal aesthetic of his subversive Alcoholics Anonymous-set music video.
Alexandre Richard talks through the rich visual language and expressionistic sound design of his film about a man's dreamlike journey into his deepest fears.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Patey breaks down the creative benefits of her instinctual, holistic approach to crew hierarchy on her inventive, desert-set Okay Kaya music video.
Freddie Leyden talks us through the surreal inspirations and 70s documentary lenses that fed the eerie atmosphere of his beguiling Bat For Lashes music video.
Avery Stedman breaks down his collaborative process with Night Lovell and the creative back-and-forth they had making their stylised scene hopping video.
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