Avery Stedman breaks down his collaborative process with Night Lovell and the creative back-and-forth they had making their stylised scene hopping video.
We speak to Sina Dolati about the lengthy learn on the job edit which transformed his innovative VR/360 music video into its slick accessible 2D version.
Krzysztof Skonieczny talks through deploying flowing Steadicam shots and black & white cinematography in a bleak evocation of a man's personal purgatory.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.OK