Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Luke Shelley explains how he used grounded characterisation to frame the charged issues of an ongoing true life scandal within a humanistic perspective.
From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Peter Collins Campbell unpacks the wizardry behind the split-screen visuals of his short about a couple who can duplicate into new versions of themselves.
William Kenton reveals the lived experiences and modern dating tropes steeped in his quirky, anti-rom-com about the life cycle of a New York relationship.
Sirius unpacks the challenges of blending choreography with performance in his country road-set film about a couple dancing their way back to one another.
Rosanagh Griffiths speaks about the exhaustive depth of detail she undertook in the writing and layered sound design of her Film4 commissioned ADHD short.
Kate Harpootlian explains how she employed more impactful minimal movement when choreographing her dance short exploring the dissolution of a relationship.
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