Amanda Prager reveals how she translated her experience of being in a toxic relationship into a paranoid fantasy short about escaping a controlling partner.
Martí Arbaizar details the trial and error approach to editing that led to the unified feeling of his doc about disparate lives united by a passion for dance.
Kate Harpootlian explains how she employed more impactful minimal movement when choreographing her dance short exploring the dissolution of a relationship.
Alec Pronovost discusses the fast paced editing which absorbs us in the building rancour of his true life inspired comedy short about a dead end retail job.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Zlotnick walks us through how she melded the artistic worlds of narrative and dance for her visceral, emotionally charged short about mental health.
Kyle Jon Shephard explains how he expanded an initial spark of silliness into a fully formed, delightfully awkward dead-pan comedy short about insecurity.
Nathan De Paz Habib & Chino Amobi discuss the collaborative partnership they formed for their short film adaptation of Amobi's epic globalist thriller novel.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Beej Harris discusses building two distinct realities for his film highlighting the help available for students faced with the prospect of school expulsion.
Nicola Martini reveals the methods he use to achieve the intense, climactic tonal sensibility of his alpine-set branded short for Serafino Consoli Jewelry.
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