Ben S. Hyland reveals how he used misdirection to great comic effect in his short about a bickering couple investigating a strange unidentifiable noise.
Sergii Shevtsov breaks down the considered staging of the surreal compositions for his self-reflective visual poem about life, career and relationships.
Tom Salvaggio reflects on how the rise of conspiratorial thinking inspired his uncanny Twilight Zone-esque short about a seemingly unexplainable mystery.
Tamsin Topolski details how she represented her protagonist's mental and physical demise through all aspects of her darkly comic satire's colour palette.
Director Max Lincoln talks about devising imaginative kills and being inspired by the ruthless nature of the creative industries for his bloody comedy-horror.
Yanghuixiao Gao describes using natural light to ground her drama short exploration of the complexities of mother-daughter relationships in authentic realism.
Sam & David Cutler-Kreutz detail how they adapted to the challenge of shooting the pivotal murky underwater sequence for their tense toxic masculinity drama.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
Polar Rader shares her careful colour correction process and high-definition lenses used to depict the journey of love amongst bitterly cold wintry climes.
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