A deeply personal film years in the making, Vincent René-Lortie details the intimate approach needed to bring the true story of his troubled friend to screen.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Tal Kantor breaks down the brushstroke-infused monochrome aesthetic of her haunting short about identity, collective trauma and the extremes of human nature.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
We chat to Sam Baron about his love of subversion in comedy and digging into the paranoid fragility of the male ego in the conclusion of his Amit Shah trilogy.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.