Tamsin Topolski details how she represented her protagonist's mental and physical demise through all aspects of her darkly comic satire's colour palette.
Director Max Lincoln talks about devising imaginative kills and being inspired by the ruthless nature of the creative industries for his bloody comedy-horror.
Yanghuixiao Gao describes using natural light to ground her drama short exploration of the complexities of mother-daughter relationships in authentic realism.
Sam & David Cutler-Kreutz detail how they adapted to the challenge of shooting the pivotal murky underwater sequence for their tense toxic masculinity drama.
Theo W Scott talks to DN about his hope that its tale of "dumb characters butchering each other" throughout history will inspire questions of free will.
Polar Rader shares her careful colour correction process and high-definition lenses used to depict the journey of love amongst bitterly cold wintry climes.
Jon Olav Stokke talks about the benefits of having a wet draft script version of his satirical pistol duel between two women where miscommunication runs rife.
Tom Moran reveals how he adapted his mind-boggling metanarrative concept into a self-referential spiral of a film about a woman trapped in an infinite dream.
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