Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
Miranda Stern unpacks the cathartic and narrative reasons she opted for an abstract, mixed media scrapbook-style approach for her self-explorative doc short.
Animator Tsz-wing Ho tells DN how she deconstructed the form of the M+ Museum into her fluid shifting short exploring what underpins our material world.
David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Harry Sherriff returns to reveal how his creative development at the NFTS informed his latest nightmarish comedy about a man pitted against his doppelgänger.
Edoardo Ulivelli discusses the catharsis of putting his own insecurities into his short film following a young man unable to decipher romantic advances.
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