Gareth Bowen distils the infusion of gritty, zoom-lensed camerawork and medieval tomfoolery that lies at the heart of his paranoid medieval-set dark comedy.
Remi R.M. Moses explains the alternate directorial approaches used for the adult and child actors in his intimate drama about a father struggling to find hope.
Tal Kantor breaks down the brushstroke-infused monochrome aesthetic of her haunting short about identity, collective trauma and the extremes of human nature.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
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