Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
Tom Berkeley & Ross White discuss subverting character expectations in their psychological pitch black comedy Western about sisters hunting gold in Wales.
Phoebe Arnstein explains the mix of narrative and documentary techniques she used to capture the authentic performances of her visceral motherhood short.
Debby Friday & Nathan De Paz Habib break down the experimental approach they took to fully capture the surreal nature of the whirlwind that is adolescence.
Beru Tessema walks us through giving his actors room to embody the meaning of scenes through improvisation for his short about Britain's dysfunctional systems.
Thomas May Bailey speaks to DN about harnessing the metaphorical potential of a VP stage as the setting for his debut short exploring ambition and desire.
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