Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.
Stefano Usberghi peels back the curtain on the dynamic camerawork infusing the surreal aesthetic of his subversive Alcoholics Anonymous-set music video.
From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Jens Schillmöller discusses subverting audience expectations and maintaining intrigue in his short about a man attempting to bridge the generational divide.
Julie Magnaudet breaks down the colourful, warm and subversive visual language of her conceit-driven romantic comedy about a women seeking love life help.
Christa Haley details the intricacies of shooting the intimate scene in her film revealing the hidden vulnerability a swim leader looked up to by her peers.
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