James is DN’s resident horror fan and is inspired by all academic, formal and Ethan Hawke-related aspects of filmmaking. When he isn’t writing for DN he finds himself running the horror blog Twelve Cabins and being sat on by his cat Peanut.
Lado Kvataniya walks us through the thematic importance and physical practicalities of the central moveable wall in his anti-conflict focused music video.
Robert Higgins & Patrick McGivney reveal how their Paul Mescal & Dafhyd Flynn starring Irish short allowed them to cultivate ideas for their debut feature.
Folu Odimayo deconstructs his use of narration during the choreographic prep of his film telling the tale of a stag whose fate is controlled by three birds.
Lauren Pringle explains how she drew from the rich history of witches and environmental uncertainty for her dance short about a lonely outcast coming of age.
Jason Hogan breaks down the script work, journalling and improvisations on the street of London that comprised the rigorous rehearsals of his ballet drama.
Peter Franklyn Banks discusses translating a chilling real world experience into his fraught drama short about the danger of overburdened hospital workers.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Guen Murroni reveals her subtle approach to authentic character portrayal and the blending of past and present in her dissociative identity disorder drama.
Rudá Santos digs into the process of creating impactful characterisation by fine-tuning the dialogue delivery in his subversive film about female rebellion.
Balázs Simon & Cátia Abreu unpack the practical and digital tools that gave birth to the Cronenbergian monster in their creepy Sad Night Dynamite promo.
Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.
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