Matty Crawford chats to DN about building the horror fuelled landscape of his psychological drama about a lonely parent suffering from empty nest syndrome.
Brennan McGee reveals the formalist approach he took when shooting his psychologically absurd dark comedy about a man's surreal quest to find his member.
Private Island director Chris Boyle take us inside the intentions, toolset and techniques behind his mixed-media dissection of AI and the human condition.
Multi-DN alum Andrew De Zen opens up about the very personal and visceral feelings he poured into his deeply affecting Amnesty International campaign short.
Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
We speak to Jessica Barr about embracing the art in social cause filmmaking for her disturbing short about a woman who has her sexual agency taken from her.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
Michael Rees talks us through prioritising a chaotic tone over script-specific dialogue to great comic effect in his short film about a double-booked Airbnb.
DN speaks to BIFA nominee Joshua Trigg about shooting in Laos with limited film stock & non-professional lead actors for his self-financed 16mm feature debut.
Subscribe to our weekly newsletter and never miss the latest independent film news
We use cookies to ensure that we give you the best experience on our website. If you continue to use this site we will assume that you are happy with it.