Benjamin Roberds tells DN how keeping his crew small allowed him to maximise his creativity during the pre-production of his role reversal horror comedy.
Writer/Director McKinley Carlin speaks to DN about using extreme close ups to heighten the hilarity of his uncomfortable comedy about a sausage dog's demise.
Emma Jesse talks through the false preconceptions she had to overcome when making her short exploring humiliating toxic masculinity within male groups.
Will Kenning chats to DN about combining the world of tap with the grim reality of exploitation perpetrated by drug gangs for his compelling drama short.
David O'Reilly reveals how he replicated precise camera movements, used VFX and hid lots of Easter Eggs in his ultimate short film homage to Barry Lyndon.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Daniel Turvil discusses highlighting the pressure of life in the suburbs in his short about a man unleashing his anger on doll-like versions of his family.
We speak to Calvin Demba about creating a timeless feeling for his dark AI relationship comedy about a misogynistic man falling victim to his own toxicity.
Ryan Schnackenberg opens up about needing to confront his own experiences of rejection when making his uncomfortable short about challenging gatekeepers.
Zornitsa Dimitrova speaks to us about crafting a story which forces audiences to experience the shock of deceit in her hard hitting and unapologetic short.
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