Joseph Brett expounds on his desire to challenge gaps of representation in British folk aesthetics with his eerie stop motion film about home and belonging.
Writer/Director McKinley Carlin speaks to DN about using extreme close ups to heighten the hilarity of his uncomfortable comedy about a sausage dog's demise.
Emma Jesse talks through the false preconceptions she had to overcome when making her short exploring humiliating toxic masculinity within male groups.
Will Kenning chats to DN about combining the world of tap with the grim reality of exploitation perpetrated by drug gangs for his compelling drama short.
Nastia Korkia shares how she used a cinematic language of slow, methodical takes in order to show how deeply embedded corruption is in everyday Russian life.
Daniel Turvil discusses highlighting the pressure of life in the suburbs in his short about a man unleashing his anger on doll-like versions of his family.
We speak to Calvin Demba about creating a timeless feeling for his dark AI relationship comedy about a misogynistic man falling victim to his own toxicity.
Ben Tricklebank breaks down how he built narrative tension that speaks volumes from what isn't said in his exploration of a toxic parental relationship.
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