David Robinson-Smith discusses the considered active cinematography employed in his haunting short where an unreliable narrator recounts a violent assault.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
We chat to Sam Baron about his love of subversion in comedy and digging into the paranoid fragility of the male ego in the conclusion of his Amit Shah trilogy.
Rumi Kaul breaks down the underlying themes of youth and its progression to toxic masculinity he sought to reckon with in his vibrant playground drama.
Isher Sahota explains how he struck the right tonal balance of comedy and skulduggery for his darkly comic period drama about self-interested backstabbing.
Sam Baron tells us how he grounded comedic beats in tragic reality in his new short about an actor struggling in both his personal and professional life.
Omar Kakar discusses the alchemy of the editing process which enabled him to straddle genres without leaving his audience adrift in a sea of confusion.
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