Naomi Christie speaks about the micro-aggressions and lived experiences which informed the seedy reality of her darkly comic tale of race objectification.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Josie Charles & Nathan Miller talk to DN about the unwanted attention they garnered filming in public with a taxidermied cat for their quirky comedy short.
Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Christopher Pickering reveals how he arrived at the deceptively profound concept of his short exposing the bizarre method for determining snack serving sizes.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Writer/Director Yasmin Afifi tells DN why magical realism was the perfect genre in which to tell her dark comedic story about finding joy at the end of life.
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