Emma Jesse talks through the false preconceptions she had to overcome when making her short exploring humiliating toxic masculinity within male groups.
Kurt Andrew Schneider explains why he chose to shoot on film for his contemporary story examining our problematic engagement with phones and social media.
Alec Moeller discusses the creation of his darkly comic story of a woman with hyper-empathy syndrome who finds a group that claims to treat her disorder.
Amber Schaefer talks through the cinematic tricks she utilised to expose the oblivious comedic nature of influencer culture in her cringe-inducing short.
Harry Sherriff explains how he used the application deadline for the NFTS as a creative motivator when conceiving his deliciously dark, surreal meta-comedy.
Savvas Stavrou talks to DN about the tone and style inspirations of ‘A Jar of Nuts’, his wryly dark comedy about the repercussions of social isolation.
DN talks to Mitch deQuilettes about the self-referential filmmaking of 'Staff Pick' a dark comedy reality hopping meta-narrative about outsized male egos.
Sam McMullen breaks down the key visual concepts he employed to translate his Irish black comedy 'The Cocaine Famine' from a well-known play to short film.
Raphael Gonzalez explains how he delivered a witty, thoughtful portrayal of the bonds of friendship in his dark, impossible request comedy 'The Living'.