The lone genre film in the shorts Oscar race Victoria Warmerdam explains how a simple captcha fail became a gripping exploration of identity and control.
Brennan McGee reveals the formalist approach he took when shooting his psychologically absurd dark comedy about a man's surreal quest to find his member.
Toni Hipwell tells DN how they achieved lush, detailed night time close-ups when shooting his macabre micro short about a lone fisherman's nocturnal surprise.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Samuel Häkkinen & Henna Välkky talk pre-shoot planning and splitting creative responsibilities on set for their dark comedy poking fun at decision paralysis.
Naomi Christie speaks about the micro-aggressions and lived experiences which informed the seedy reality of her darkly comic tale of race objectification.
Brendan Beachman delves into why California's vistas were the perfect backdrop for his marriage dramedy about newlyweds discovering a life altering clarity.
Harry Plowden tells DN why embarrassment was the key emotional touchstone of his short exploring the line between comedic relatability and dark misogyny.
Nathan Ginter takes us inside the ways he and his crew maximised the potential and adaptability of their locations when crafting their body horror grad short.
Josie Charles & Nathan Miller talk to DN about the unwanted attention they garnered filming in public with a taxidermied cat for their quirky comedy short.
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