Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
DN speaks to BIFA nominee Joshua Trigg about shooting in Laos with limited film stock & non-professional lead actors for his self-financed 16mm feature debut.
A film for all the misfits who've misplaced their manuals for life, DN sits down with Karan Kandhari to dig into the making of his genre-bending debut feature.
Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
With his debut feature up for 7 BIFAs James Krishna Floyd discusses the rich complexity of characters who wear masks and the beauty of realism drag on screen.
Alexandra Qin talks to DN about her personal experience with sex and love, drug and alcohol addiction, and the vital role it played in her debut short film.
Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Weiland & Constantine deconstruct the 6 camera coverage needed to capture the set-piece of their heart-pounding short about France’s only female bull-jumper.
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