Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
William Grave speaks to DN about creating a neutral almost timeless setting for his black and white drama about a cross-cultural couple battling prejudice.
We speak to Jessica Barr about embracing the art in social cause filmmaking for her disturbing short about a woman who has her sexual agency taken from her.
Iris Breward discusses crafting the dual tones of her short about an aspiring performer's optimism vs the harsh reality of working as a children's party clown.
DN speaks to BIFA nominee Joshua Trigg about shooting in Laos with limited film stock & non-professional lead actors for his self-financed 16mm feature debut.
A film for all the misfits who've misplaced their manuals for life, DN sits down with Karan Kandhari to dig into the making of his genre-bending debut feature.
Ben Lankester details the multi-tiered sound design that immerses audiences into the frantic intensity of his BIFA nominated maternity ward drama short.
Rich Peppiatt takes us inside the making of his multi BIFA winning anarchic, riotous, rule breaking fictionalised biopic of Belfast hip-hop trio 'Kneecap'.
Nina Gantz takes DN inside the extraordinary craftsmanship of her stop motion short which offers a poignant exploration of loss for its diminutive stars.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Werner Vivier explains the use of a voyeuristic one-shot framing device to subtly examine the theme of racism in food culture in his awkward first date short.
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