Sebastian Delascasas speaks about dropping his audience directly into the thorny heart of the deeply unsettling conversation at the centre of his debut short.
Gareth Bowen distils the infusion of gritty, zoom-lensed camerawork and medieval tomfoolery that lies at the heart of his paranoid medieval-set dark comedy.
Luke Brookner delves into using 16mm & 35mm to represent the dual timelines of his film depicting the struggle of leaving behind an upbringing in foster care.
Christian Meola opens up about discovering new narrative territory and a widely diverse range of responses to his emotionally intense coming of age drama.
Remi R.M. Moses explains the alternate directorial approaches used for the adult and child actors in his intimate drama about a father struggling to find hope.
Jerome Yoo talks about adopting handheld camera work to express the freedom and abandon of his teenage protagonists on a mission to relocate a significant pet.
Greg Cruttwell explains how his disgust about the horrific violence of football hooliganism galvanised the creation of his blistering monologue revenge short.
Anna J. Takayama talks shooting in Tokyo and colour as a narrative tool whilst dissecting the creation of her multi-award winning film about an ageing actress.
Paul Chambers discusses the 16mm camerawork used in his hard hitting experimental drama capturing a young man's spiralling loss of control to addiction.
Ned Donohoe delves into the delicate balance of critique and empathy he sought to strike in his short about the shady world of personal development forums.
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