We speak to Daniel Sinclair about managing the fine line of grounded comedy in his tonal mashup short where a couple reach an unexpected therapy breakthrough.
A deeply personal film years in the making, Vincent René-Lortie details the intimate approach needed to bring the true story of his troubled friend to screen.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Lasse Lyskjær Noer speaks to capturing the cathartic release of comedy even in the depths of despair for his short about two widowers struggling with grief.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
Simon Woods walks through the ways he played with dark and light in the telling of his shocking drama about a young boy navigating his parents' marriage.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
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