Lovell Holder opens up on why moving to a non-linear structure during post yielded a more compelling version of his queer drama about a young man on the brink.
Pulkit Arora tells us how a mounted jib arm enabled the evocative cinematography in his close quarters short about a lonely widow isolated in her mourning.
Amelia Sears explains how she captured the difficulty of redefining your sense of self in the destabilising wake of becoming a mother for the first time.
Kat Mills Martin unveils the methodology behind the restrained shooting style of her subversive pregnancy drama about a woman's desire for a one-night stand.
Maxwell Hughes Klaiber discusses the highly effective voyeuristic perspective he & Jordan Moran took in their short capturing the worst day of a man’s life.
Luke Shelley explains how he used grounded characterisation to frame the charged issues of an ongoing true life scandal within a humanistic perspective.
From careful zooms to POV shots, Max Novick discusses enveloping the audience in his dramedy about pregnancy sparked jealousy within a Brooklyn throuple.
Writer/Actor Ryan Walker-Edwards opens up about working behind and in front of the camera to bring a rarely seen story of Black queer intimacy to screen.
Hazel McKibbin talks about building an intricate dance of dominance, deference and self-diminishment between lovers and family in her charged drama short.
William Miller shares how his background helped him to authentically portray the locations, movements and emotions of professional football in his debut short.
Carlen May-Mann reveals the techniques she used to train a voyeuristic gaze on her alluring motel guest who quickly disrupts a couple's monotonous life.
Andrew De Zen explains why 65mm film was the perfect format to capture the grand yet intimate story of his short about a woman who finally lets herself loose.
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