Adolpho Avril’s 'The Mano: The Burning of Wooden Engraved Plates' provides a discordant expression of the outsider artist’s obsessive universe.
Join the talented filmmakers featured on DN daily on Directors Notes by submitting your film now (full submission details here).
Get a weekly round up of DN interviews delivered straight to your inbox.
Subscribe to our weekly newsletter and never miss the latest independent film news
No thanks, I’m not interested!