21st February, 2019
Director Alon Isocianu and Toronto Studio Reactiv bring together the worlds of food and sports in their playfully inventive short 'Food Play'.
20th February, 2019
Eoin Duffy flexes his geometric animation skills in this interpretation of Irish poet William Butler Yeats’s 'The Second Coming', created for TED Ed.
19th February, 2019
A strange group of creatures gather to gamble, putting their souls at stake in Anne Breymann’s darkly surreal stop motion short 'Nocturne' (Nachtstück).
Animation, Asides, Music
18th February, 2019
Saad Moosajee, Danaé Gosset and Art Camp’s 1,480 frames of animation for Mitski's 'A Pearl' is a perspective shifting bona fide work of art!
15th February, 2019
Tom McCarten creates a poem-inspired personification of buildings through the use of hand-built sculptures and quirky animation in 'Silent Conductors'.
Animation, Asides, Live Action
14th February, 2019
LA based Director John Alan Thompson gets us in the Valentine's Day mood with his cute playful tale of dismembered limbs in love, 'Handsy'.
Art & Fashion, Asides
13th February, 2019
Director Amber Grace Johson explores how our hairstyles define us in her pulsing, hypnotic fashion film 'Fades & Braids'.
12th February, 2019
Ced Pakusevskij delivers a mix of romance, friendship and adventure unfolding across LA’s sprawling urban playgrounds for Napapijri’s Spring/Summer
11th February, 2019
Studio Moross get the hottest party in the neighbourhood started in their jam-packed animated launch film for Manchester festival Parklife 2019.
8th February, 2019
Jackson Tisi explores how the youth and elders of the Shoshone and Arapaho Tribes find peace and healing through skateboarding and tradition.
Asides, Live Action
Peter Lee’s 'Don’t Be a Hero' sees a woman combat the loneliness of her deeply unhappy life by robbing banks in her lunch break dressed as a cowboy.
7th February, 2019
Poligonic's Alberto Sáenz Gómez Tello exalts the creative power of stealing from the work that inspires you in animated short 'Nothing is Original'.
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