Melanie Cura Daball reveals why an ethical approach was an essential pillar in the making of her hybrid doc about her friend's battle with a bipolar diagnosis.
Charlotte Hamblin talks about making the move into directing for her semi-autobiographical tragicomedy about a woman concerned that she's a catalyst of death.
Anna J. Takayama talks shooting in Tokyo and colour as a narrative tool whilst dissecting the creation of her multi-award winning film about an ageing actress.
Anna-Claria Ostasenko Bogdanoff details how she captured sensorial experiences for her documentary unveiling the ancient tea tasting practices of a master.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Tal Kantor breaks down the brushstroke-infused monochrome aesthetic of her haunting short about identity, collective trauma and the extremes of human nature.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
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