Debbie Howard explains why handheld was the ideal aesthetic to fully immerse the audience in her disquietingly familiar short about unwanted male attention.
We speak to Jessica Barr about embracing the art in social cause filmmaking for her disturbing short about a woman who has her sexual agency taken from her.
Chanelle Eidenbenz talks about leaning into cast insights and evolving the script of her drama about a delusional woman’s fraught relationship with her son.
Hannah Levin shares how she balanced out the comedic beats, sticking to the story and keeping the narrative moving in her bold, reckoning comedy short debut.
Alexandra Qin talks to DN about her personal experience with sex and love, drug and alcohol addiction, and the vital role it played in her debut short film.
Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Jordan Chandler talks about channelling her righteous indignation into her blistering thriller about a mother on a Sisyphean quest to save her missing child.
Sophie Compton & Daisy-May Hudson extol the benefits of the co-created trauma-informed filmmaking model underpinning their LFF award winning documentary.
David Findlay discusses the melding of music and sound design integral to his fast paced descent into the surreality of a woman's frantic subconscious.
Weiland & Constantine deconstruct the 6 camera coverage needed to capture the set-piece of their heart-pounding short about France’s only female bull-jumper.
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