Why fiction, not documentary? Georgia Parris & Natalie Lauren on making us feel how school fines punish, isolate and push struggling families to collapse.
Kendall Goldberg's social anxiety comedy magnifies the fears of every introvert who's ever accepted an invitation to a party with people they don't know.
Émile Lavoie twists horror expectations to bloody ends in his darkly humorous short film that shows what happens when you dare judge a book by its cover.
Lee Lawson discusses the practical effects and unexpected tenderness behind the provocative premise of her SXSW award-winning short, 'Man Eating Pussy'.
Drawing on her childhood, Susan Wokoma writes, directs and stars as a teacher torn between instinct and complicity in a staffroom deciding a girl’s fate.
How do you make audiences care about people who do terrible things? Sam Tricomo's dark pilot strips away backstory, letting silence and loneliness do the work.
Daniel Chisholm distils the disorientating, woozy sensation of being smashed into a comic odyssey that lets audiences experience the drunkest night ever.
Lola-Rose Maxwell outlines how she stepped behind the camera, engineered a creepy puppet antagonist & blended comedy with atmospheric horror for her debut.
Hugo De Sousa digs into the guilt of letting old friends go and takes that to the absolute extreme in the tonal tightrope of his SXSW comedy thriller short.
A snake that wouldn't strike, a craigslist rabbit and a wordless script — Kyle Sims takes us inside his unnerving tale of shifting classroom power dynamics.
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