Sasha Nathwani reveals the subtle progression of colour he adopted to emulate the universal nostalgia of a day of fun and freedom amongst teenage friends.
Jordan Chandler talks about channelling her righteous indignation into her blistering thriller about a mother on a Sisyphean quest to save her missing child.
Sophie Compton & Daisy-May Hudson extol the benefits of the co-created trauma-informed filmmaking model underpinning their LFF award winning documentary.
Sophie Compton & Daisy-May Hudson speak to the importance of flattening outdated hierarchical structures of filmmaking for their trauma-informed documentary.
David Findlay discusses the melding of music and sound design integral to his fast paced descent into the surreality of a woman's frantic subconscious.
Weiland & Constantine deconstruct the 6 camera coverage needed to capture the set-piece of their heart-pounding short about France’s only female bull-jumper.
Cécile Embleton & Alys Tomlinson speak to us about the multi-year journey of their Grierson Award winning doc about a young nun facing deep inner conflict.
Lily Weisberg unpacks the gorgeous hazy visual language of her film about a daughter who's taken aback by the fullness of her mother’s independent life.
Sandhya Suri delves into exploring the complexities between women in positions of power as a way of dissecting the all too common violence inflicted on women.
Marco Pattarozzi speaks about the significance of home in his dark coming-of-age drama where the last days of youthful summer are marked by tragedy and loss.
Harv Frost digs into how she brought the decadent visual world of The Last Dinner Party to life in her intoxicating horror-inflected multi-video short film.
Alejandro Gerber Bicecci reveals the genesis of his labyrinthine drama about a subway driver met by violent indifference in her search for her missing husband.
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