Anna-Claria Ostasenko Bogdanoff details how she captured sensorial experiences for her documentary unveiling the ancient tea tasting practices of a master.
Victoria Singh-Thompson talks about crafting a fragmented editing style to convey the dissociative turmoil churning in her traumatised protagonist's brain.
Tal Kantor breaks down the brushstroke-infused monochrome aesthetic of her haunting short about identity, collective trauma and the extremes of human nature.
Gabriel Caste tells DN about drawing viewers into his psychological thriller probing the dread of existence which can throw us into a depressive cycle.
Nazrin Choudhury discusses crafting the pace of her Oscar nominated short to fully immerse the audience into the precarious life of a struggling young mother.
Nathan De Paz Habib discusses experimenting with the form of the distinctive scenes representing a series of emotive flashbacks in his surreal debut short.
Elham Ehsas talks about placing the audience in his protagonist's shoes in his film shining a light on the loss of women's freedoms under Taliban rule.
Giuseppe Garau extols the creative perks of not being glued to a monitor when shooting his 16mm film about a woman who enters the seedy world of tow trucks.
Tomson Tee details the narrative division of warm and cold tones and wide frames within his dark comedy pointing a mocking finger at the super wealthy.
Tom Berkeley & Ross White discuss subverting character expectations in their psychological pitch black comedy Western about sisters hunting gold in Wales.
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