Liam White explains how he aligned audience anxiety with his protagonist's feeling of vulnerability in his tension fuelled short about an unwelcome visitor.
Katia Shannon reveals how she approached subverting the commonly held reductive vision of growing older in her passionate dramedy about long lost lovers.
Elahe Esmaili explains the intimate, family-centric perspective of the Woman, Life, Freedom protest movement that she wanted to capture in her doc short.
Rosanagh Griffiths speaks about the exhaustive depth of detail she undertook in the writing and layered sound design of her Film4 commissioned ADHD short.
Amanda Prager reveals how she translated her experience of being in a toxic relationship into a paranoid fantasy short about escaping a controlling partner.
Kate Harpootlian explains how she employed more impactful minimal movement when choreographing her dance short exploring the dissolution of a relationship.
Emma Branderhorst tells DN why it was important to take a new tack of addressing those who share intimate images without consent for her KPN campaign film.
Julia Patey breaks down the creative benefits of her instinctual, holistic approach to crew hierarchy on her inventive, desert-set Okay Kaya music video.
Ella Care speaks to DN about depicting the grey area of teen consent in her powerful short about the innocence of a girl's first kiss being dashed by reality.
Nicola Martini reveals the methods he use to achieve the intense, climactic tonal sensibility of his alpine-set branded short for Serafino Consoli Jewelry.
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